How does your project arise? Please, tell us more about it.
The project arises when Michele Vangelista’s photography meets Sandro Frizziero’s pen, joint together aiming to reduce their “fever of feeling” and shaping perception and emotions otherwise destined to be dragged away by the wave of conversations.
Pointing it out might be useless: any place is everywhere and that’s why their eyes look at the Venetian lagoon as they were looking elsewhere.
How do the characters interact with environment?
In this project I picture seaside landscape and visitors. I capture the fleeting loneliness of people in that particular moment. Summertime, with its melancholy, wraps together different people from different places in the same veil of insecurity.
